The wardrobe of Lil’ Llama can be described in three simple words: Chopped and screwed. The Brooklyn-bred rapper graduated her personal style from hoodies and high-tops to . . . well, you see it. Here’s a snapshot of the gworl who famously sampled Bow Wow’s face without clearance most memorable past looks.

Harlem’s favorite post-op transsexual Lil’ Ma — wait, this is one of those spread positivity among the colored girls events. Ch . . . my bad.

Estelle, Melanie Fiona, Rah Digga, radio personality K. Foxx and Lil’ Mama did some occupying of their own at S.O.B.’s on Thursday night, joining Black Girls Rock! creator Beverly Bond for the The Black Girl Rock! & Soul Concert in the Big Apple. Founded in 2006, Black Girls Rock! is a nonprofit organization that has been dedicated to the healthy development of young women and girls.

Where’s the beef? Lil’ Mama tells XXL that although she never had any animosity towards Nicki Minaj the potential of a wig shifting situation unfolding is only comparable to the shit that went down between Biggie and Tupac. This is the state hip-hop in 2011.

There was never any animosity. She came to my show…the greeting was beautiful. It was like, “Hi beautiful, how are you?” you know what I mean. It wasn’t like “Hi,” and then the name-calling or screwed up face or anything negative. If someone has something negative to say about you or they don’t like you, they wouldn’t greet you and say, “Hello beautiful.”

If we decided to go at each other and then somebody ended up dead, everybody in hip-hop would be like, “Oh my God, it’s so sad what happened to them.” It’s just like what happened with Pac and Biggie. The same people that promote it and it’s sad.

Hot sex on a platter herself, Lil’ Mama, has unveiled her first new video in over three years for the single, “Scrawberry.” One assumes Lil’ Mama’s assault of the spelling and pronunciation of the word strawberry was inspired by Beyoncé’s “algeba” and Gucci Mane’s “scrimps and scrits.” Somewhere Akeelah is rightfully screaming, “N**as ain’t shit!”

“Scrawberry” on wax may be described as a tribute to MC Lyte, but Onika Maraj will be the one sleeping better at night because of its release.

Though the song lyrically is themed around the Tamera to Shad Moss’ Tia’s car, we never get a sight of it in the clip, Instead, we get to “enjoy” watching Lil’ Mama live out her fantasy as Section 8 Barbie. Maybe the area car washes gave her the VMA security treatment for her refusing to turn down “Shawty Get Loose” whenever she rolled up there on her Schwinn. Whatever the case, this video seems like a preview of what a Nicki Minaj and Lil’ Kim stan peace rally might look like – only not as fun or feminine.

After the Grinch Who Snatched Happiness forced her to cry not so silent tears live on New York radio, for a minute there many weren’t sure if they could ever shade Lil’ Mama again in good conscience. This video is a clear reminder than no one should ever feel too bad about talking about someone practically begging you to. Thank you?

For all that she has endured in her lifetime as the face of geriatrics voice of the young people Lil’ Mama deserves a shit load of respect. That’s probably not going to happen here today but at least it lives in the place that matters most – - inside the hearts of millions.

Okay, thousands.

Alright, hundreds.

You know what?

Most people would rather take maxi pad advice from Faizon Love than entertain words on anything style related from Lil’ Mama. But at the recent MTV Movie Awards she managed to for once not look like a tacky stud pretending to be a gaudy queen. Now thanks to the two compliments she got for her efforts she’s using those enhanced nostrils of hers to smell herself.

In an interview with VIBE.com, the girl best known for confusing Jay-Z on stage accused Nicki Minaj of trying to snatch her wig style.

On Onika jacking her cut:

But my cut is blunt and futuristic and Nicki Minaj started wearing that bob on her head after she came to my show, so at the end of the day I know what I do and I know what I possess and I know who I am. I’m a trendsetter. The biggest form of flattery is imitation so I’m flattered. I understand the universal law. I’m not confused, I don’t feel like a follower. I started so many things that new artists are doing now anyway –my style, the way I’m aggressive on a track, the way I come through, the way my beat bangs. There are so many things that were borrowed, that I influenced that’s happening in music right, so I’m far from discouraged.

So the 1980s and 1990s never existed?

Anyway, Mama continued to go off on Minaj:

Yeah, she was a guest on America’s Best Dance Crew and immediately afterwards, everywhere she went, she was wearing the haircut, the same exact way. But that doesn’t make me feel like ‘Oh she’s trying to be down’ like how I said about our culture. I’m actually flattered because she imitated me and it felt like something that I was doing was cute and in time for the fashion and for the season, so it’s like let’s live, let’s do it.

Miss us, Mama, until you pay Shad Moss royalties for constantly sampling his face without clearance.

Cracking the glass covering fuckery odometers of fashion editors located in the press room  Lil’ Llama and Nicki Minaj recycled otherwise overlooked components for intermediate-level drag initially left to collect dust on the clearance table at Li Lang’s Wig & Beauty Emporium for the 2011 MTV Movie Awards on Sunday.

By the way, before any easily influenced Barbz make a beeline to the nearest medical supply store just know that’s not a catheter attached to Onika’s belly button.

The age old question of what happens to Fantasia’s ceremonial head gear after she discards it was answered by Lil’ Llama during her appearance at the 53rd Annual GRAMMY Awards Music Preservation Project “Word Revolution” in Los Angeles on Thursday night. Now I lay me down to sleep, I pray the Lord my wardrobe from the mid-90’s to keep.